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Archives for Artists

Bradbury Thompson

Westvaco Inspirations for Printers / 1946-1964 / Design and Typography by Bradbury Thompson / No. 157, No. 161, No. 162, No. 171, No. 172, No. 174, No. 184, No. 210, No. 212, No. 216, No. 217, No. 218

Westvaco Homage to the Book / 1968 /

American Cookery, or The Art of Dressing Viands, Fish, Poultry & Vegetables, and the Best Modes of Making Pastes, Puffs, Pies, Tarts, Puddings, Custards & Preserves and All Kinds of Cakes from the Imperial Plumb to Plain Cake, Adapted to this Country and All Grades of Life / 1963 / Amelia Simmons

Voices from an Earlier America: an Anthology of Poetry, Seventeenth to Nineteenth Centuries / 1980 / John C. Callihan

Paper in Printing History: A Celebration of Milestones in the Graphic Arts / 1981 /

Poor Richard. Selections / 1971 / Benjamin Franklin

Fables in Slang / 1972 / George Ade

A Brief Description of New York: Formerly Called New-Netherlands: With the Places Thereunto Adjoyning. Together with the Matter of its Scituation, fertility of the Soyle, Healthfulness of the Climate, and the Commoditieis Thence Produced. Also Some Directions and Avice to Such as Shall Go Thether: an Account of What Commodities They Shall Take With Them; the Proit and Pleasure That May Accrew to Them Thereby. Likewise a Brief Relation of the Customs of the Indians There / 1973 / Daniel Denton

The Red Badge of Courage: an Episode of the American Civil War / 1968 / Stephen Crane

American Notes, 1842 / 1970 / Charles Dickens

An Anthology of American Classics: a Quarter of a Century of Limited Editions Published for Friends of Westvaco at Christmastime / 1982 / Westvaco Corporation

Dutch Treat Club / 1973-1974 / Dutch Treat Club

Works. Selections. / 1975 / Thomas Jefferson

Decorum, a Practical Treatise on etiquette & Dress of the Best American Society / 1979 / John C. Callihan

The Autocrat of the Breakfast Table: Every Man His Own Boswell / 1965 / Oliver Wendell Holmes

Tales / 1964 / Edgar Allen Poe

The American Revolution, Three Views / 1975 /

Essays / 1978 / Ralph Waldo Emerson

A Young Patriot in the American Revolution, 1775-1783: the Wartime Services of John Greenwood / 1981 / Isaac J. Greenwood

Daisy Miller / 1974 / Henry James

Circle Press Publications

Antony and Cleopatra / 1979 / William Shakespeare, designed by Ronald King

The Tao of Water / 1979 / James Kirkup, with prints by Birgit Skiold

Blind Date / 1979 / John Furnival, text by Thomas Meyer

Red Bird / 1979 / Christopher Logue, with screen prints by John Christie

Prints, Reproductions, and Photography

Prints from the Illustrated Poems of Jules LaForgue / 1973 / Patrick Caulfield

Ceramiques de Picasso / 1948 / Suzanna and Georges Ramie

Picasso Linoleum Cuts: Bacchanals, Women, Bulls & Bullfighters / 1962 / Introduction by Wilhelm Boeck

Eight Photographs / 1970 / Leslie Krims

Invisions: A Limited Edition Portfolio of Original Photographic Prints / 1974 / Pennsylvania State University, Dept. of Art / No. 41 of 80 

First Annual Portfolio of Imageworks / 1973 / Imageworks

Land Extractions / 1975 / Donald Scott Harter

Reproductions of some of the Important paintings and Their Details Illustrating the Technique of the Artists / 1936 / Arthur Pope, John Davis Hatch, jr.

Dore Gallery, Containing Two Hundred and Fifty Beautiful Engravings / 1870 / Edmond Ollier

Trade Editions

U.S.A. / United States Government / Vol. 1 No. 1, Vol. 1 No. 3, Vol. 1 No. 4, Vol. 2 No. 1 (Spanish), Vol. 2 No. 3, Vol. 2 No. 4, Vol. 2 No. 5 (Spanish), Vol. 2 No. 6, Vol. 2 No. 7 (French), Vol. 2 No. 8

Tales of Mystery and Imagination / 1936 / Edgar Allen Poe, illustrated by Harry Clarke

Lives of Seventy of the Most eminent Painters, Sculptors and Architects /1896 /Giorgio Vasari

Jules Bastien-Lepage and His Art: a Memoir / 1892 / 

The Courtin' / 1874 / James Russell Lowell, Illustrated by Winslow Homer

The Cheltenham Grauves

History of the World's Columbian Exposition / 1893 / Hon. William E. Cameron

Other Rare Books

Gemini G.E.L. Workshop (Techniques and Creativity II With Essay by Riva Castleman) /1971 / Ruth E. Fine


Underware the School of the Art Institute of Chicago / 1976 / Robert Loescher, afterward by Nathan Lyons